Masta Ace's flow is one of the best in the game; he's easily forgotten because he doesn't rap about Nikes and gold and gats and all that bullshit- he's real. As real as real can get. Here's what some writer had to say about this record:
Instant classic; a modern-day hip-hopera, a ghetto concept album if you will. How this album isn’t mentioned in the same breath as Madvillainy and Stankonia I’ll never know- but Ace made a stunna here; it follows the story of a man released from jail and his return to Brooklyn. After realizing how tough it is on the streets, he decides to go back to school, but not any school- he enrolls in The Institute Of Disposable Arts; a hip-hop academy of sorts. It’s based on the shadiness of the music industry, the whackness of “thug life”, all that rap-poseurism shit and how to transcend it to stay true to yourself and just make good music; what’s in your heart and how to tap into that. Deep and introspective without being preachy, the beats and samples are some of the best collected on one record- choosing to work with virtual unknowns (producers from the New York underground) as well as some emcees also not known above ground. And since it’s a concept album, the skits are not only integral for the story but actually funny. Ace’s wordplay and lyrical prowess are a sight to behold, every other line induces an “oh shit, did he just say that?”, it’s like watching a rap battle and everyone’s getting slayed. You may recognize his flow, it’s the one Eminem stole (don’t worry; Em’s given Masta Ace mad props and the favor’s returned here- witnessed by the opening lines from Don’t Understand: “I don’t do white music, I don’t do black music / I make rap music, for Hip-Hop kids…”) This is a triumphant return to form- Masta Ace had more or less dropped out of music for almost five years at the end of the century. I’m glad he made it back to drop this gem.
- from The Musicologists
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